A duck on the Potomac — photo taken by Izzy
Then Emma Mayhew dies, and everything that she thought or felt vanishes and is gone forever — how else shall David Nicholl’s One Day end?
Anne Hathaway, Jim Sturgess, the movie does not manage the depth of truth or more occasional fun of the book
Dear friends and readers,
I would not have believed I could ever say of a day where it was 97F at 5 pm, the air literally hot on my skin, that I was at long last recognizing autumn on its way, but after 33 years in this southern city, I can: it’s dark by 8:15 at night, and dawn does not come until well after 6 am. Some late summer events I’ve had and to come:
I have had three very enjoyable lunch dates, with two more to come. With an ex-student, grown older man. We had been meeting once a year; well we renewed our date three weeks ago — an wonderful two hours of talk at Copperwood Tavern. I experienced intense distress getting there but once there all was well. Shirlington where parking is a nightmare. Then twice to a lovely local cafe, Fontaine here in Alexandria, first with my old friend, Mary Lee, whose idea this place was; second with a new friend, Betty, from OLLI at AU, whom I took there. Yummy quiche, lovely light salad vinegar dressing both times, camomile tea. I will meet her at Pain Quotidian this Friday across the street from OLLI at AU. Would you believe I had to look up the instructions to get there to re-visualize. This is a place I’ve gone to for years on end. Maria Frawley, the teacher of Middlemarch I believe I’ve not spoken about an inspiriting inspiring 8 sessions at Politics & Prose with her as teacher; how they lit up my June and July each Thursday evening for an hour and a half. I have signed up for an in-person meeting with 29 other OLLI at AU people, a pizza and Italian food place, also across the street from OLLI at AU. For this I’ll wear one of my two cloth masks with drawings of cats all over them.
And one precious evening out at Wolf Trap, where with a friend I saw and heard Renee Fleming singing inimitably with the National Symphony Orchestra. Alas all too short — just one hour and about 10 minutes. Mozart, Haydyn, Gershwin, a perfect Carousel Overture, and her songs were exquisitely beautiful — from Puccini, favorites and also lesser known, then popular, one about never leaving
About 50% of the audience in masks (which were optional). It was marred by a tiresome, ridiculous and dangerous trip there: the person I was with was determined to avoid the toll ($3!), and drove round and round (her GPS actually programmed not to make the correct turn) and coming back in the dark streets unknown with no lights, and then speeding crazily on the highway. I do have to give up Wolf Trap if I can’t drive myself safely so this may have been my farewell time.
I grieved at another profounder loss: Nanci Griffith has died at the relatively young age of 68; so did Izzy find herself crying. We replayed our favorite songs that night we learned of her death as we prepared supper and ate together.
Otherwise the days and nights go by. I do manage most days 20 minutes of exercise on bike and cathesthenics around 9:00 am, then 5:00 pm, then 20 minutes walk by myself around the neighborhood at dusk
Unexpected flowers: I water my outside plants (in garden in ground) twice a day, and some have bloomed twice
******************************************************
It’s not as fiercely breathlessly hot as it was few weeks ago, and of course I’m now engaged in reading towards my course for this fall, have signed up for various fall classes and events, all online for me still – and how grateful and relieved I am that much of what I enjoyed these 17 months online will still be so. Beyond the London Society every-other-week zooms, I’ve found there is nowadays a once-a-month-and-more schedule for talks from Elizabeth Gaskell’s house in Manchester. Would you believe I’m just about reading three Trollope novels at once, and truly enjoying them all?: The Prime Minister, The Vicar of Bullhampton and soon The American Senator. I am seeing so much more than I ever did in PM (the exploitative colonialism Ferdinand Lopez is trying to leap upon I had not noticed) and the darkness of V of B: the strong critique of the Vicar and his friends over their class as well as prejudiced blind injustice.
At this week’s Trollope zoom we were asked when, how, did you discover Trollope and come to read him avidly? why do you enjoy his books so much? This was the question — or something like it — posed and about 14 or so people volunteered to answer for about 3-5 minutes each. I was one of them. I typed out the first paragraph below and read it so as to be concise and keep it to under 3 minutes. The second paragraph was not written out, just spoken. So although that is the quotation I used (Dominic Edwards, the chair, had asked in a letter could we quote from Trollope), the last couple of sentences I said were not so clear. I saw that most of the people wanted to say why they loved Trollope as much as how they came to him and also uttered various truths that they liked best, told stories they liked so much from the novels — many also liked how Trollope seems to break the novel conventions suddenly and talk directly to the reader — like tell the reader some secret of the novel well ahead of time (so, do they in fact love spoilers?) So I added the second paragraph. I admit I did leave out a couple of intermediary reads between the cited dates & books For example, In 1994 I went to Rome with my family and it was The Last Chronicle of Barset that got me through that partly ordeal of an experience. I found an old copy in a marketplace which I still cherish.
Cover of 1970s edition of Penguin English library paperbacks
From Pallisers Episode 1: the young Lady Glen, with Burgo, her infatuation, encounters the young Mr Palliser, with Lady Griselda, his
I’ve told how as an undergraduate in a class on the Victorian novel I read Dr Thorne for the first time and fell in love with it (say 1965). But I didn’t go on to read more. The Professor had discouraged me from doing a paper on the novel. Then about 10 years later (1975) I watched the Pallisers on PBS TV (in black-and-white) and fell in love with that, and with my husband we read all six novels. But we were busy doing Ph.Ds on something else and I didn’t go any further than The Duke’s Children. Then 1989 I was in a fearful car accident in NYC and landed in Metropolitan Hospital on the upper East Side. I spent a week in that place: it has one man to do all x-rays; Jim promptly labelled him the bottleneck of the hospital. My father brought me a Dover copy of The Vicar of Bullhampton saying Trollope was very wise. It helped me get through that week. Finally in 1993 Jim and I got onto the Net through a phone line and he said he would find something called a listserv for me: he found one on Trollope, and I started leading groups reading Trollope. First up was Macdermots of Ballycloran. I loved it and have not stopped reading Trollope since. Partly I was invited to write a book, then an essay. Note, each and every time there was an outside prompt. Immersion in Trollope did not come from within in any of these cases.
Dominic asked us for a quotation, an utterance: mine is “Great and terrible is the power of money” from An Eye for an Eye. What I love about Trollope is the accuracy with which he sees the world and people, how people interact with one another and in themselves – truly – and he remains calm! What’s more he offers advice, explains things well. I love the characters too, but I keep in mind they are not him and it’s from his narrator/implied author these startling truths come.
I can add here that Trollope’s utterance seems to me to provide a central explanation for what happened in Afghanistan over the past 20 years. Trollope is also an astoundingly perceptive political novelist. How much meaning he can pour into a few words if you listening hard or for real
Have I told you about the talk I gave on Malachi’s Cove?
********************************************************
My header refers to continuities deep and longer than the continuation of a zoom group. I find after all I don’t or can’t change my taste. I like best earlier serious literature — for example,for a fourth time, Eliot’s Middlemarch (thus the above coming lunch with Maria Frawley — see above), which I also re-saw — the 1994 Andrew Davies’s film adaptation. I just love the BBC dramatic serials of the 1970s (which begin, illogically, with the 1967-68 Forsyte Saga (I read 6 of the 9 novels years ago), which I’m watching avidly, an hour each night just now), to early 2000s, and those few nowadays which keep up the tradition of long thoughtful scenes, complicated dialogues, true novelization on film; I prefer Anglo literature and European art, realism, melodic classical music, modern only until say pre-rap, mid-20th century country. And my way of interacting with people, however inadequate, is grounded in polite manners.
Kenneth Moore, inimitable as narrator and Jolyon Forsyte (he’d never get the part today as too old and ugly)
Eric Porter as the aging softened affectionate Soames with his beloved daughter, Fleur aka Susan Hampshire once again
A zoom on Walter Scott:
Who produced more fine and influential work than Walter Scott? think of so many English, French, German, Italian, Russian historical novelists for a start.
I attended a 2 and 1/2 hour session on Scott: it’s part of the Scottish celebration of Scott’s 250 year anniversary (though I’m not sure of what — he was born August 15, 1771)
It was not as good as it could have been — three remarkable Scotts scholars and people involved in the U of Aberdeen exhibition and all sorts of events around Scotland and elsewhere — for example, in Italy, because of the number of operas (93) that have been adapted from Scott’s novels. I think to enjoy it, you have to have been a reader of Scott at some point, read a number of his novels and about him. I have so like the Gaskell session from Gaskell House, Manchester, last week I very much enjoyed what they presented. They had first editions and illustrations and talked of how prolific he was — how much he wrote, and how his position wealth prestige enabled him to do important things still not unimportant — like saving the ability of Scotland to print its own currency. One scholar outlined what are central to Scott’s novels: processes of historical change, political arrangements, people on the edges of society for different reasons (very high up and thrown out, marginalized, disabled, lawless rogues). She brought out Scott’s interest in his characters’ mental health (as we’d call it). Then a lovely film from Italy about two productions; one from the Lady of the Lake, by Rossetti, Donna del Lago, and the other by Donizetti, Lucia di Lammermoor — one must keep an open mind. I’ve seen good movies — one scholar said her love for Scott began as a girl watching the BBC serial Ivanhoe with Anthony Andrews. They insisted Scott’s work is politically very involved, aware, that underneath “it all” souls of people drive economic and political arrangements.They did recommend the Future Learn 3 week lecture course: Scott, the man behind the Monument. I saw that and it included wonderful clips. I don’t know if you can find it there any more as the site has gone distressingly commercialized. Andrew Marr’s 3 episode series on Scots writers devotes one hour to an exhilarating somehow ironic hour on Scott. I regret to say the videos I linked in to a blog on Marr which includes good descriptions of the hours on Scots literature have been removed — I shall have to delete the URLs and substitute pictures — but the content by me is still there and what is central to the blog
They omitted what a reactionary Tory he was; how he was vindictive to any family members who didn’t marry for aggrandizement; was behind the worst political attacks of literary journalism.
John Brett — Mount Etna from Taormina, Sicily (1870), another edge place; in lieu of Northern Scotland, the south, the Mediterranean — put on twitter
This new material but now aware of colonialism: Jane Mander’s The Story of a New Zealand River (with two accompanying movies). About her too.
******************************************
I have had a renewal of a worry: my cat, Ian, again has a heavy discharge from his right eye. Last time I took him to the local Vet I’ve been going to since we adopted the cats, I was charged $350+, told how serious this was and that he needed a series of heart tests (a couple of thousand dollars), and then if the tests warranted this, give him a pill every day of his life ever after. It is impossible for me to force pills down either of my cats.
To say I don’t trust these (or any) vets is an understatement: previously I was told to clean his teeth, we needed to anesthetize him (a $500 bill and dangerous), did I want to install a sort of tag in his neck which will help if he gets lost (surgical insertion of course). When I tried to buy a local gel recommended online and in a book I have on cats, I found local pharmacies refused to sell it except with a prescription from a Vet. I was told it’s “against the law” for pharmacists in drug stories as well as vets working for the ASPCA to give a pet owner advice on an eye discharge: that sort of thing forbidden.
I call round today to three different vet places, and was greeted with indifference, appts a long time away and oh yes this is an emergency, so clinics I could go and wait at. Petsmart a store seemed more sensible but no appts until later September. Vets are kept to small numbers but vet lobbyists seem to be very busy. And we hear about the corruption of the Afghanistan govt. What are lobbyists but allowed bribers? We have whole organizations dedicating to bribing politicians in office. As for today’s Vets as a group far more important is the money they can wrench from pet owners than safe harmless care which reaches all pets.
It’s how they frighten me that angers me. It makes me angry to be told I have to do this to Ian’s heart and give him this preparation every day for the rest of his life; or to clean his teeth risk his life (he must sedated by an anesthesiologist — the vet said she had lost only one cat – i.e., she killed a cat). They could tell me Ian could go blind or something — and I no longer trust them. Only if the condition really seems threatening do I want to go. I will try Petsmart next month.
In the US the climate is money-driven medicine. Just imagine outlawing, forbidding by law a pharmacist to advise a customer on which prescription to use. Jim said to me as he lay dying, protect me from these people. It was by then too late because he had agreed to that godawful operation which removed his esophagus (I didn’t understand that that would not stop the metatasis), but I kept clear of all in-hospital, in clinic and anything else that seemed to me we could avoid. So I’ll wait for this ointment and if it helps, spare the cat and myself any visits to Vets I don’t trust. But meanwhile I feel bad for the cat and wish I had someone I could turn to — that there was a Kaiser Permanente type organization for animals.
Ian close-up, sleeping peacefully on cat blanket given me by another friend
I wonder why people are so naive not to see how these Vets take advantage of social norms for human beings to push painful procedures (and sometimes an early death) on pets.
I’ve semi-adopted another third cat, also grey like the first who has now vanished. This one also comes from the very rich mansion across the road from me where they are deep reactionaries (snide comments on neighborhood listserv); also semi-abused. I am also calling this new one Fiona, and she also behaves in ways that show a craving for affection but when you respond she quickly spits at you, hisses — I think they mean-tease her and she does not know how to carry on a relationship with a person. She is very thin. Poignant when she is crying out there – not kept in during rain; sometimes I daresay the owners of that collar go away for weeks or days. I can do so little for her — I inquired into this last time. I feed her whenever I feed my two and talk to and pet her when I pass her by — she stays in a near hedge or my porch — as you see her peeping out.
How to close? My own naivetes of course. An important story in the New Yorker. Sam Knight hints at the hideous things, heinous crimes owners and builders of these idyllic country estate houses which so dominate these costume dramas I’ve loved — did for decades, nay full centuries in the subject colonies to support these “wondrous” places, where some of the art was stolen from too. Famines inflicted on people forced to grow crops to sell elsewhere so they have nothing themselves to eat; forced to pay taxes they cannot afford. Removed outright. Enslaved. This does not include the conditions under which the servants in such houses worked, their pittance wage. What is happening is the National Trust has been at long last trying to tell the truth, and the UK gov’t and present descendants of the owners of such places, and those who just want to carry on these delusions (as patriotism) are being successful in stopping them or getting them to mute or qualify their knowledge. I will be sure to assign this story to my class in Anglo-Indian novels in the spring. Where did the money for Dryham Park where The Remains of the Day was filmed come from: what were the politics of its owner. How about the dream houses of Howards End in reality?
At Dryham Park:
On the second floor is the Balcony Room, which affords fine views of the gardens. … Facing into the room, with their backs to the wall, are two statues of kneeling Black men with rings around their necks. …
The slave figures hold scallop shells over their heads. These were probably filled with rosewater, so guests could wash their hands. …
They were probably made in London, inspired by Venetian “blackamoor” art, but they are unquestionably depictions of enslaved men, in idealized page’s costumes, with gilt chains tumbling from their right ankles. … They have knelt in the same place for more than three hundred years. …
When Sobers [a Black professor] and his group entered the Balcony Room, they came face to face with the slave stands and stood there, listening politely. “I couldn’t believe it. I really couldn’t believe it was happening,” Sobers told me. “And the tour guide talked about every single thing in that room, you know, talked about everything for a good ten, fifteen minutes and not once mentioned it.” A rope cordons off most of the Balcony Room, so visitors stand on a narrow walkway, facing the stands. There is nowhere else to look. “There wasn’t even a kind of a, you know, ‘Yeah, we don’t know what those are. . . .’ There wasn’t even an explaining it away,” Sobers said. “They just acted as if they just weren’t there at all.”
The strained tragic existences of the butler (Hopkins) and housekeeper (Thompson) at Darlington Hall (Dyrham Park)
Ellen
Alas no beach this year once again. No one to go with. I tell myself I am being silly … Maybe all I want is to walk along the shore and look out at the water so as to immerse myself in eternal time under a sun …
Ah, Ellen! Thank you for sharing these memories. I seem to recall that every autumn inspires marvelous commentary from you. The poetry you share, the art work, etc.
All in praise of autumn. A season often neglected by modern Americans.
Marvelous!
Catherine
My reply: I didn’t mention you but you were here with me every day ….
Four friends/acquaintances have died since the pandemic started: these all from old age. I know of three deaths from COVID from people where the deaths are a husband, daughter, cousin. All white. Two in their forties, one in his fifties.
Pat: “Ellen, I just read your post and remember I have The Forsyte Saga. Teresa got it for me for my birthday I think. Anyway I got it out and plan on watching it Never got to watch before because of work, too tired at night”
Me: “Oh my goodness. You will love it. Give it time. It lacks subtitles – which nowadays I like but you can re-watch. If you become hooked, here is a fine book to go with it (the hardback nowadays sells for very little) John Fisher’s The World of the Forsytes — a predecessor to the modern Companion books, filled with interesting information, lovely photos.
I too value our friendship. And indeed the last 18 months or so have taught me the importance of friendship. I have never lived through a pandemic, nor has anyone else I know. The pandemic has so interrupted, disrupted, and rearranged my life’s rhythm so as to make me feel insane at times. Then I remind myself that we are all caught up in the same set of events. But I am presented with an opportunity to reassess my progress in life so far, and perhaps do a “reboot.”
In Cicero’s “De Amicitia” he wrote of the many values and uses of friendship. “A friend is another self” is one of Cicero’s most well known quotes. But Cicero meant that in a particularly Roman way. Americans today have little sense of community in the way that ancient Greeks and Romans thought of the word. The bonds of culture, tradition, and what is right were broader concepts to the Greeks and Romans than they are to contemporary Americans. There was a sense between friends of comradery and loyalty that went very deep. That spoke to character. And often this expressed itself through shared knowledge of the arts, including literature. One could not be considered “a true Roman” without a shared appreciation of the arts, and appreciation that was acquired through years of careful study. And by the long term mentorship of another civilized Roman. I suppose the understanding of “ladies” and “gentlemen” from Trollope’s era had its roots in ancient Rome and Greece. And how fitting that I met you through Trollope who (as he would say) “had his hands firmly upon the reins” of the classical study of friendship. We share many things in common, but this regrettably lost appreciation of the classics is most important.
In times of stress, one clings to the familiar. If one is lucky, one clings to something strong enough to sustain. I go back to my young days being drilled in Latin and learning ancient Greek. These studies were at one point in my life deemed to be “a waste of time” by some people. Nothing could be further from the truth. I am grateful to you for helping keep my love of scholarship alive.
And it took a pandemic for me to realize all this!
I spent half the day sleeping, and how refreshed I feel. For me, the worst part of the pandemic has been my inability to sleep. But my doctors tell me many, many people are suffering sleep disturbances right now. I knew that when I was ready to sleep, I would sleep. And so it turned out to be.
Now, let me reboot.
Love,
C
Me: Yes I think in Trollope’s society people were in communities though these were based on class and religion; they were family groups. We are on the Internet in a few places trying for this fellowship — people do so in conferences where they are friends, or conventions, clubs — but it’s hard to sustain. Friendship needs time, trust and being sincere. It’s beautiful thought your second paragraph, beautifully expressed.
The Saga of my Cat continues: The medicine that came through Amazon is helping my cat. Thank you to Michele. He fought fiercely against the spray the first time. I thought I was buying a gel, but they sent a spray. At first I worried his eye was closing but in a few hours it was wide open and the area around the eye looked better.
He did not fight fiercely the second time late at night and then this morning he almost let me do it. The area around the eye is clearing up.
It seems like with eyeglass prescriptions when you on the Internet you can bypass laws which are put on the books to create monopolies. Within the state of Va (and NY) you cannot buy eyeglasses with a prescription that is more than 1 year’s old — and I forget what when you buy them other things are put in place so you end up paying $400 to 500 for a set of eyeglasses — that’s at Kaiser. Now I buy them online for $39 as a base price plus postage. I have a 2-3 old prescription — not that I have to present it, I just need the numbers.
So it seems these medicines for animals can be bought online w/o a prescription. I repeat the last time I showed up at the Vet’s over an eye discharge, I was asked for over $350 for the visit, I was told there might be something wrong with his heart, a $2000 procedure to test if there was; if there was, a pill he would have to take for the rest of his life. Just think all the money that Vet would have made. Who knows what would have been in that pill. I believe going to another private Vet would have produced a similar result (ASPCA not allowed to treat animals in this sort of case you see — by law I was told). A rare Vet might be honest. But I have now learned it’s a common thing for a Vet to demand the money to anesthetize a pet to clean their teeth — a risky thing to do.
Too bad there are no HMOs for animals.
Fall Diary entry: Diary entry: I had 4 zooms yesterday. I was dizzy by the end but I will stay with all 4. One, mine (I taught, The Prime Minister at OLLI at AU online), went well, but too many men. I don’t do that well with men. And my anthology is all women and my desire for truer representation on behalf of women, so I may have a small class eventually. 3 people were already not there. They emailed to say they had a conflict and they would watch the recording later in the day. 3 people for he repeat tomorrow later afternoon at OLLI at Mason online have already sent messages to this effect. So recording has a down side in a sense — the classroom experience must be redefined.
I had suspected the teacher for the Theban Plays would be very good — that she is very intelligent and, alone (not with the usual partner) a good teacher whatever she does – and she was (though she did not handle the zoom aspects of calling on people or any of it at all, which did make her presence less felt, less effective). There was the London Trollope Society Zoom at 3 (BST 8 pm) on The American Senator (with two talkers) and then at 6:30 pm my time another fine teacher (from Politics & Prose) on Wilkie Collins’s No Name. I was probably too dim to take it all in coherently.
No London Trollope Society zoom next Monday and the No Name class is only 4 more. So it will be only 2 more Mondays this will happen. Meanwhile last night I was reading the book by Fagles (translator, editor, introducer) the Theban Plays teacher had suggested. Wonderfully naturalistically translated. I thought of Philoctetes and how Sophocles made marginalized powerless people his central figures: a woman (all 15,000 spectators men, all actors men) and a cripple.
I napped twice to do it. Just fell asleep around 4:20 (I did lay down on the bed telling myself I was just laying down) and then woke at 5. Again around 7:30 and work at 8 — watching PBS, Judy Woodruff had put me to sleep.
I also “visited” the National Book Festival and for a while listened to & watched Ishiguro manage to make intelligent talk. On a JASNA channel of some sort for about a third of a session, listened to a writer some of whose books as a scholar I admire, who has written a new novel on Jane Austen (and Shelley I thought but not quite) and whose fantasy I thought might be like Christa Wolf’s (No Place on Earth) where early 19th century Germany romantic figures who never met meet. Alas, no.
Today so much easier. I re-make lecture notes for tomorrow’s class at OLLI at Mason on PM, and I’ve a later afternoon class at OLLI at Mason on Anne Bronte’s Tenant of Wildfell Hall. I know the teacher is I know the teacher is somewhat anti-intellectual (so to speak), not near enough preparation, let’s half-truths go by, but I am glad of an excuse to read Bronte with a group of people who will include serious readers – and the book itself an early feminist masterpiece.