Time for a little prosaic cheer. So, as we all know, people like lists. Why we can’t say, but they do. A meme has been going round, and for once I joined in:
My first 7 jobs:
(Does Unpaid library assistant in Richmond Hill high school count?)
Then paid, often not much:
1. Legal Secretary, FAA, JFK Airport (got there by bus, long ride, followed Contracting officer about taking down every word that man said in Pitman sten notebooks, then typing his great words up — I did this for 2 years, I was very young);
2. Personal Secretary/Administrative Assistant, John Waddington, Ltd, Leeds (worked for very nice chief engineer, and a sales manager; the company made toys, cards, packaged chocolate);
3. Executive Secretary, Warehousing Company. NYC (good salary! fancy office, bad people, cheating others; so quit);
4. Research Assistant to Prof Coleman Parson, Graduate School, CUNY (I loved it);
5 and 6. Adjunct lecturer twice, second time called Graduate Fellow (Brooklyn, then Queens College, CUNY);
7 Again and forever an adjunct lecturer and reader for a time of post-secondary schools applications for grants for FIPSE: 3 jobs at the same time: at Northern Regional Center for University of Va; at The American University (“professorial” – -the place had this pomposity but they were okay people), DC
This covers years from age 15 to 39, from NYC to Leeds, England, back to NYC and then Alexandria, Va, where I still reside).
What were your first seven jobs, gentle reader?
An Alphabet: Eden Rock does it, but not driving down to the core. This is a “One cannot have too many holds on happiness”[Henry Tilney, Jane Austen’s Northanger Abbey] alphabet:
A is for the air when it is balmy yet dry and cool, sunny
B is for books, good ones and I own so many many.
C is for my cats, Clarycat and IanPussycat.
D is for my daughters, Laura Caroline and Isobel Alice
E is for Ellen Robillard O’Hara: the first heroine I wrote about; my earliest writing to show to others. The mother in Mitchell’s GWTW.
An exchange on face-book: “I do feel this odd frisson of identification when I read a novel where I see an important character named Ellen. Ellen is not a common name for heroines; in middle class fiction, she’s the Irish servant. But in GWTW there is Ellen Robillard O’Hara, Scarlett’s mother and I once wrote a fiction about her (I was age 14) where I characterized her with sympathy. Radcliffe’s Italian’s heroine is named Ellen. I felt peculiar because the character is so foreign from my ways of thinking — now would I have done that had she had another name? My middle name is Nancy so I used to like that the character Nancy Drew was a Nancy.
Jane Smiley: The main character of my new kids’ horse series is named Ellen. She is very determined and very outspoken.
Me: I’d better not read that one then (as Jane knows I’ve read several of hers, liked them immensely and blogged on a couple). I characrerized Ellen Robillard O’Hara as a woman cold on the outside, controlling herself, but near the edge of cracking, still in love with the man she was parted from. I rewrote the death scene. Came second in a contest but almost does not win the race. Maybe I was unconsciously attempting a woman’s historical romance in little? I worked quite on it; I no longer have it.
Glenn (who runs the Trollope face-book page where this occurred): What would it cost to have a “Glenn” in your next book; not as the hero, just as a harmless drudge?
Me: I’d worry about naming a child after a favorite character lest I burden them. So I called my cat Clarissa (from Richardson’s novel) which has become Clarycat.
Jane Smiley: I would prefer Shipway. Very memorable name, I think for a naughty boy in Ellen’s class.
F is for friends, local and Internet
G is for Winston Graham (author of Poldark novels) and the gothic (a favorite subgenre with me)
H is for my house, home, nest of comforts, where I dwell with Isobel
I is for the Internet
J is for Jim, all he has left me with, all my memories
K is for kindness which we need far more of.
L is for libraries
M is for good book film adaptation, BBC, good PBS, mini-series and good movies and museums filled with art
N is for NPR radio
O is for Opera, HD and the OLLIs (so teaching adults my favorite books and topics)
P is for plays, serious dramatic and funny plays in the theater, filmed or now on DVDs. Poetry
Q “Fair Quiet, have I found thee here … ” (a poem by Andrew Marvell)
R is for rain, when it’s soft, gentle, easy on a cool windy day
S is for Shakespeare
T is for Trollope
U is for YouTube technologies, and all video streaming which enables me to watch TV when I choose, to watch all sorts of movies, documentaries, as in my BBC iplayer and PBS online and Future Learn courses from Open University
V is for the Voting Rights Act as originally passed by Congress. We must all vote: it’s all the powerless have; you must vote to defeat the dangerous demogague bankrupt billionaire, Trump. Hillary Clinton will choose honorable decent people for judges and we can overturn Citizens United, Hobby Lobby and get rid of the gutting of the Voting Rights act.
W is for so many women writers whose books I love
X ah well. I says it’s for brilliant and good books read aloud beautifully in unabridged texts of CDs, MP3s
Y for Yahoo listservs; I will grieve deeply if they are shut down; debased as they have become, they are still a small lifeline for reading and talking about wonderful books with friends
Z is for New Zealand as a beautiful place, and New Zealand and Australian films like (just this past week, see below) The Hunt for the Wilderpeople (with one of my favorite actors, Sam Neil), The Piano (ditto), The Dish (ditto, how Izzy and I loved it years ago and came home and told Jim about it) and Last Orders (which I watched the night of Jim’s funeral).
I’ve paid two honest men to improve my house in the last few days. My gardening man removed two large trees, huge amounts of ivy, unkempt bushes from my back yard. So now all is neat. In the fall he’s sow grass on where there is just dirt for now. He doesn’t overcharge. He fixed my hose too, made an extension and set it up so it’s easy for me to use.
A man who does kitchens, inside work of all kinds will soon be renovating my kitchen — modestly. I was told about him by my neighbor-friend, Sybille. This week, four of the house doors were painted so they are no longer eyesores; two removed (remarkable amount of doors in houses built in 1947); a new front and back door for the first time since 1947. Smoke detectors. Come September he’ll paint the kitchen, put down new tiles, new cabinets (a soft bright cream), re-arranged to be more appropriate for Izzy and I, some kind of lighting system, new countertop. He is not super-expensive and a man I can get along with, so I’m thinking I will at long last enclose the porch. And then have the whole house painted a soft cream color. And with that the renovation, fixing, I started when I first retired (remember when I cleaned out and ordered the attic upstairs), will be done. It will be easier on my eyes and self-esteem.
The cats do not enjoy this though. On Tuesday I first had to keep them in the back room with one of those many doors shut. They are indoor cats, and I surmise if they (especially Ian) saw the men working out of terror of them they’d run out of the house, become confused and I’d never see them again. But they were very upset. Ian really wailed for quite a time. They were separated, one in each room for a time. Clarycat didn’t like that. When my younger daughter was sent to a pre-school at age 2 and 1/2 she was so terrified (we couldn’t explain what this was to her as she was not talking at the time) that after the hours gone (bus ride there and back, 5 hours there, 1 hour at a sitter), she literally pissed all over poor Jim when he picked her up. She had held herself in all that while and was so intensely relieved. Well I did put the cat litter in the room with them, but it was the next day I came to it and found it utterly soaked. They too must’ve held themselves in and only after much time had passed in the night, relaxed. Today after the contractor and his men had gone and I opened the door again, Clarycat was desperately affectionate.
They are my holds on happiness. During the interval before the contractor arrived and I put them each day in the room, I missed them. I am so used to their presence.
And a cheering mythic fable of a movie.
I hurried out to see Hunt for the Wilderpeople written and directed by Taiki Waititi after I read a couple of reviews (Manohla Dargis from the New Yorker from Rogerebert.com; Matt Goldberg); people whose columns I respect where they said, don’t miss it, it’s hilarious and makes for ethical thought too. “Oddball” they called it, that unexplained word. “Quirky.” What it is is original with genuine feeling. I managed it with a friend probably on the very last showing in my local theater.
It is one of the many that are advertised through trailers so off-putting that they misrepresent the movie. The trailer presented two conventionally unappetizing males, one of them a very chubby boy (Julian Dennison as Ricky), being made fun of, slapstick it seemed to me. I can’t think of what I would less like to see a movie making fun of someone’s body. It included the line where we learn that Hick or Uncle (played pitch perfect as he does all his roles, by Sam Neill) as someone who can’t read. har har. so until I read said reviews I wasn’t going. In fact it was in this art-movie theater for a number of weeks and it’s superb. It reminds me of The Dish, an Australian/New Zealand unusual sort of comedy too. Unexpected. We saw it years ago and brings tears to my eyes since I saw it with Izzy before she went to college and when we finished we came home to Jim to tell him of it. She remembers The Dish better than I.
Hunt for the Wilderpeople is a fable something in the spirit of Thelma and Louise, and it’s not the first of this type this summer. But it is also in the tradition of Rabbit Proof Fence and the grave Philomena: in the first aborigines are torn from their families and put in an institution to be turned into obedient workers for the society. Two of the girls run away and make this extraordinary trek back to their home, all the while hunted down by the whites. The bush as perspective is central to the movie: there is a long history in Australian and NZ legends and books regarding the bush as a vastly superior terrain to live in and off of than (mean, hypocritical, inhumane] society.
Well, Ricki, an unprepossessing looking boy with no people to support him, no to care for him, to provide money or status, is dumped off by Paula (Rachel House), a caricature of a fierce cold institutional guardian type who catalogues Ricki’s sins ceaselessly to others, bad-mouthing him before anyone can know him — on Bella (Rima Te Waiti), who at first seems just a very poor woman living near the bush, looking to make money as a foster parent. We quickly learn that Bella is deeply good-hearted, kind, generous in the way she behaves, and the boy begins to thrive. Her partner or husband, Hick, seems solitary, looking askance at the proceedings, but going along with her. When she dies, he cries hysterically, our first sign of his affectionate nature. A letter arrives from Paula: she must take the boy back. Well, to cut to the story, after some difficulties with one another (Hick does not want to take Ricki, Ricki sets fire to the barn to suggest he killed himself, the two men flee together. Soom they are being hunted down. The pair begin to be part of a sensationalized story (Hick a molester) that sells newspapers and is good for TV chatter. The posse grow bigger and bigger from an original group of down-beat men seekin a ransom until at last there are helicopters, tanks, armed militiamen. It’s a self-reflexive film: the landscape of steep green hills and then in winter snow is gorgeous, and there are allusions to Lord of the Rings: Ricky says this is not all that occurs in New Zealand.
The film does not become too sentimental because it concentrates so on their improbable survival. As Bella did in the opening, so Hick kills with a knife an animal for them to eat. They are soon trapping animals, but Hick’s foot is broken (and improbably heals). Everyone seems to walk about with a rifle or some kind of weapon. One of the two dogs is attacked by a boar and has to be shot and hen buried. They both cherish Bella’s ashes in a box they carry with them, but at a beautiful waterfall Hick is induced to scatter them. There are extravagant bush people like Psycho Sam (Rhys Darby) who help our heroes along the way — reminding me of characters in Dickens, like Barnaby Rudge and his raven, especially one bushman who wraps a bush around him and lives in a trailer. We are really frightened for them as an all out war ensues: these hunters are willing to kill. There is much over the top exaggeration and wild fantasy and also much reality: they meet improbably isolated up-to-date teenagers deep in the bush; but there is real heart: they come across a man who has had a heart attack and try to bring him help.
As they are gradually cornered, grab a car and go on a wild drive (chased by all in your exhilarating car chase) I feared it would end like Thelma and Louise, them going over a cliff. It does not: a gradual contented ending — after montage of court-room scenes, Hick going to prison (he has been there before, one reason he fled so stubbornly), Hick leaves his home for old people to join Ricky with the bush teenagers. Touching dialogues. If you want to have some experience of standing up to mad injustice, some creditable humanity, and a fable mirroring some aspects of our world today, it’s a fine summer movie: re-creative. The equivalent of last summer’s Mr Holmes.
It may be too late to see it in the theaters, but soon there will be Amazon Prime, Netflix, DVDs.